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When you have access to every aspect of a culture, it’s almost easier to find your lane early in life. My friends that grew up on the coasts, or at least in communities where they has easier access to the art that they loved, they’ll always say things to me like, “Why did you and your brother learn to play these instruments?” Because we had to! That’s all we had. But, now that we have, I’m so grateful for it. At the time we bemoaned it, because we wanted to get out so desperately. We were desperate to get our hands on any VHS of old recordings of PBS Masterpiece Theater or a Björk Concert or Cirque du Soleil. When you’re latchkey kids, and you’re desperate for art but don’t have access to any art of any kind, you’re forced to create a world for yourselves. Now that I’m in my thirties, there’s so much about working class Midwest/Southern - Kentucky doesn’t really know which one it is - culture that I have a fondness for now. How does growing up in Kentucky influence your artistic aspirations? Box where all my bills go that I’m ignoring. I have a big, gay Subaru, and I have a tiny P.O. Then, called Dan and was like, “Hey.” He was like, “let’s go get a beer.” And we did.Īre you L.A.- or New York-based at the moment? So I read with Ben and Adam a couple of times. I didn’t initially piece it together that it was that Dan from the water cooler those many moons ago. I remember, in passing, hearing about the pilot and thinking “oh man, that sounds brilliant.” Years later, when it came to me from my agents. And Dan Erickson, the creator of Severance, was there working on his own stuff.
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My friend Hannah and I were making a series there.
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Turner had a streaming platform for a minute called Super Deluxe. I had actually heard of the pilot years previous. Their hubris is just as scary, their predilection for selfishness and lying is just as scary as the stuff in the cult of Lumon. These people who haven’t been severed, they’re just as scary.
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What the show does so brilliantly is let you see how day-to-day human nature is terrifying. The office building should be the scariest place on the show, based on the premise alone, but the gatherings at the house are unsettling. I felt like I was in a Danish horror film. We went through two consecutive blizzards. They rebuilt that on our stages in the Bronx, which was surreal after shooting in the house for so many months. Almost everything in the house was practical and real except the baby room where we filmed the scenes between Mark and Devon in the last episode. That is a Frank Lloyd Wright house in the Hudson Valley. How many people have told you that they want your character’s house from Severance? Here, she speaks with The Hollywood Reporter about the delicate dance of telling queer stories in period pieces, growing up in Kentucky on Lunchables and old movies, and why the characters on the fringes of Severance’s central plot are just as creepy as ones who’ve walked into a corporate cult. But Tullock, who maintains quite an amusing Instagram account, is not interested in staying in any one lane.
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Ben Stiller, Creator Dan Erickson on That 'Severance' Finale and Plans for Season 2Īpple TV+’s twisty dystopian workplace drama, in which she plays the sister of Adam Scott’s character, whose consciousness has literally been split in two, and HBO’s noir-y update of one of pop culture’s most famous lawyers are two seemingly unexpected moves for an artist who describes her early work as a cross between Cindy Sherman and Sasha Baron Cohen.